Posts Tagged ‘BET’

Disclaimer: With over 300 artists, multiple citywide sites, film showcases and panels, anyone without at least a 20-man team cannot give a true recap of all the happenings over the course of the 3-day A3C Festival. This recap is just one writer’s experience at the events he chose.

ATLANTA, GA – The 2012 edition of the A3C (All 3 Coasts) Festival has upped the ante: more artists, more interactive events and more locations. Since 2010, A3C has held their festival at the Masquerade, utilizing the venue’s vast open space to post two stages outside and three inside. But with this year brining in over 300 artists, even that was not enough. Now the entire city has become A3C’s playground, with sites ranging from the storied Plaza Theatre to several spots in the bohemian Little Five Points District.

Arriving fashionably late around 6:30 p.m., the main site offered me DJ sets throughout the night from such established names as DJ Hurricane, Young Guru and Kool DJ Red Alert. And those who were able to make it in the afternoon got treated to panels on the legalities of the music industry, the politics of voting and the money management. Artist-wise, acts like Cyhi the Prynce, Chip tha Ripper, Sha Stimuli and The CunninLynguists held down the fort well past midnight.

Knowing I’d spend the majority of tomorrow at the main site, I ventured across town to a venue named Terminal West for BET’s stage, appropriately titled “Music Matters.” I got there in time to hear a few songs from DMV’s own Phil Ade, whose rapid-fire wordplay won over most the crowd despite a short set. Kid Daytona had a harder time but got a better response and the end with his new Jadakiss-featuring single “Low.”

Business really picked up when 9th Wonder hit the the stage to intro his very talented Jamla signee, Rapsody. How do you get the crowd on your side? Stepping on stage while ripping Jay-Z’s “Takeover” beat is a good start. And with a catalogue that’s heavy on lyricism, the camera phones quickly started coming out to record her flow on tracks like “NonFiction” and “Believe Me.” If you don’t have her just released debut album The Idea of Beautiful, do your ears a favor and pick that up ASAP.

Ditto that last sentence for Skyzoo and his album of the year contender A Dream Deferred. Sky followed up Rapsody with selections off that project and Live From the Tape Deck. The former features a tribute track, “Jansport Strings,” to the then teen rapper he saw on TV that inspired him to rhyme, Chi Ali. Just released from a near 12 year sentence for manslaughter, Ali graced the stage for the “Jansport Strings” remix.

Kirko Bangz’ set with a little jarring coming right after Skyzoo’s, but he and guest Trae the Truth didn’t waste time and went through a quick set that prevented any lag time.

The night’s closer was Big Boi, who was only scheduled to do four songs. That turned into an hour-long fantastic performance that ran the gamut of Outkast’s legendary catalogue, Big Boi’s own hits and even the Purple Ribbon all-stars. You would think hearing classics like “Rosa Parks,” “B.o.B.,” “Ms. Jackson,” and “ATLiens” without one-half of the equation wouldn’t feel complete, but Big Boi and hypeman C-Bone’s energy, along with the crowd’s, was at such a high level that it didn’t even matter. This allowed Big Boi to move quickly into each classic going all the way back to the “Southernplayalistic…” and “Player’s Ball” days. And let’s not be mistaken; Big Boi had a good number of his own bangers to go through in “Ghettomuzik” (that Pattie LaBelle breakdown is heaven live), “Shutterbug” and “General Patton.”

Former friend-turned enemy-turned friend Killer Mike came out to lead off the closing segment, reciting his standout verse on Bonecrusher’s “Neva Scared Remix,” his joint “ADDIDAS,” and his part on “Whole World.” The only complaint is we unfortunately didn’t get Mike’s “Yeah!” which may off just blew the roof off. To close, the present Purple Ribbon All-Stars graced the stage for a joyous rendition of “Kryptonite.” And the only reason we didn’t get more is due to the venue shutting down.

This was Big Boi’s first A3C performance and he was so impressed with the crowd that he promised to try and make it out for the remainder of the week. If so, he’ll join a deep roster tonight featuring the likes of The GZA (performing ALL of Liquid Swords), Chino XL, Prodigy, Raekwon, Freeway, Nipsey Hussle and many others.

Check back here early Saturday for the Day 2 recap.

For tickets for the remaining two days, visit www.A3Cfestival.com

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“Music is its own language…”

The beautiful French sisters Les Nubians recently dropped their third album Nu Revolution, their first in eight years. The duo is unique for being one of the few acts to find success in America while retaining their native language. According to them, Nu Revolution is more uptempo then their past work and focused on the need for the radical change in popular music’s sound and approach. As someone who’s seen them perform numerous times here in ATL and had the pleasure of meeting them, I can attest to the transcendence their music has over language and cultural barriers.

Skyzoo got a big look earlier this month when he got to perform on BET’s 106 & Park. He rocked his single “Speakers On Blast” single, and added a nice touch with some live trumpet instrumentation. You would think he’d struggle to connect with this type of crowd, but good music is good music. The crowd was with him, and hopefully some will check out his Live From the Tape Deck album.

Check out the clip and the interview below. Fun fact; Skyzoo was on Freestyle Fridays back in 2001.

“SPEAKERS ON BLAST”

SKYZOO INTERVIEW

 

BET executive Stephen G. Hill has reached out to Atlanta’s Waka Flocka Flame to make amends for a Twitter rant yesterday criticizing the rapper’s award show performance.

Waka Flocka performed an improvised version of “Hard in the Paint” and “No Hands” with Roscoe Dash. Flocka broke from his rehearsal on Thursday (September 30) by jumping in the crowd and running the aisles. During the stunt, Waka failed to rap much on his verses, creating a huge editing problem for BET ‘s production team after heavily promoting the performance for their national broadcast.

Stephen Hill, who is Vice President of BET’s music and programming department, heavily chastised Waka Flocka’s behavior in multiple Twitter posts last night.

“BET Hip-Hop Awards. The show was going so well…and then Waka Flak-ed. Yeah. I said it,” Hill tweeted. “Waka. Flocka. Flamed. Out. like it or not,he’s popular. Wanted to give a shot #mistake.”

Waka Flocka retaliated specifically at Hill, but refrained from making any negative remarks about BET as a whole.

“Ima let fans know the inside of this lame game yall call rap they want u to don’t b ya self N x u out 4 being a real nigga … pussy HILL [sic],” Flocka wrote on his own Twitter page. “How the fuck u invite Waka Flocka and hate when i jump N the crowd to connect more wit fans and friends ….. #rappers R robots lol…I THAK [sic] BET AS A WHOLE …..99% SHOULD I SAY ……ITS JUST THAT 1% IS A DUCK ASS NIGGA…I KNO [sic] KIDS HATE WHEN THEY PARENTS GET ON TWITTER AND ACT LAME IS FUCK.”

Later, it was determined that a DJ miscue with the wrong song caused Flocka’s improvisation, not disregard for the rehearsed set. Once made aware of this, hill extended conciliatory words directly to Flocka and offered a closed-door sitdown to clear the air.

“Let’s you and me talk. Bring your manager. I should NOT have sent that first text,” Hill admitted, “But there’s some learning here. You in?”

At press time, Waka Flocka Flame has not verified if he agreed to Stephen G. Hill’s request. His debut album, Flockaveli, comes out Tuesday (October 5).

The BET Hip Hop Awards 2010 airs on October 12.

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Twitter, while a great tool for networking, has become a place where a lot of Hip-Hop artists have embarrassed themselves and engaged in acts that are amusingly deemed “fuckery” amongst fans. Now, it appears even executives are getting drawn into the nonsense.

I understand why Hill got upset. When you’re in management, there’s immense pressure on you from the higher-ups and those immediately below you. In Hill’s case, he’s the buffer between the artists and BET. I can just imagine that headache, and no matter what he’ll always have to take the blame.

With that said, an executive with his experience should have known better than to air grievances like that in public, especially preceding the actual airing of the show. They were tweets you’d expect from a blogger, not a middle-aged, executive VP of a multi-million dollar company.

Regarding Waka Flocka Flame, I met him for the first time yesterday. From that meeting I can tell you he’s a guy that thrives on instinct and emotions, so his response to Hill was not surprising. But I’m sure his management team will take Hill up on his offer.

Who’d of thought the next mini-beef in Hip-Hop would be started by a BET exec?

There’s nothing like a spirited debate. BET must have learned this by observing the immense feedback MTV receives annually for its Hottest MCs in the Game list, and what Vibe got for its Best Rapper Alive tournament. Next month BET will air its own version with a unique show titled “BET’s Top 10 Rappers of the 21st Century.”

The criterion for consideration is that every rapper nominated must not have had their debut album any earlier than 1999. That means normal all-time list stalwarts like Rakim, Jay-Z, Nas, KRS-One, and other legends cannot be selected. The panel included AllHipHop.com co-founder Chuck Creekmur, So So Def founder/producer Jermaine Dupri, Tony Neal of Core DJs, producer Boi 1da, DJ Greg Street, DJ Timbuck2, DJ Vlad and Vibe writer Chloe Hilliard.

The list of nominated artists are 50 Cent, Drake, Eminem, Eve, Fabolous, The Game, Gucci Mane, Jadakiss, Kanye West, Lil Wayne, Ludacris, Nelly, Rick Ross, T.I. and Young Jeezy.

The show airs on October 15 at 8PM. Below is the trailer video.

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Even though I normally disagree with the selections, I love these type of shows. It brings the corner, barbershop and message board arguments fans have to the forefront. And it also gives you a better idea of how industry experts view some of your favorite artists.

What I don’t like is that most of the time the debate centers around album sales over quality of work. You can already see that when someone like Lupe Fiasco, who’s released two of the better Hip-Hop LPs this decade (Food & Liquor, The Cool), didn’t even get a nod. But you have guys on the list like Jadakiss and Fabolous, who in my opinion don’t have any standout albums on their resumes.

It’ll be very interesting to watch how this panel makes its decisions. As far as the artists included on this list, my #1 would be Kanye West. Aside from his own catalogue, I give extra points for his production work. On just lyrical ability Eminem would be #1, but Slim Shady shouldn’t even be on the list. Is BET really going to act like his debut album isn’t 1996′s Infinite (which by the way, had some decent tracks)?

Be sure to check this out. I’m positive they’ll be moments where you nod your head in agreement, shake it in disgust, and flat-out laugh at what you hear.

The show debuts Friday October 15 at 8PM ET.