Posts Tagged ‘Recovery’

WBC and linear middleweight champion Sergio Martinez will undergo right knee surgery next week and tentatively expects to make an in-ring return in May 2013.

In a statement to boxingscene.com, Martinez advisor Sampson Lewkowicz stated his fighter’s comments about his willingness to face the likes of Miguel Cotto, Floyd Mayweather and Canelo Alvarez won’t be fully explored until a finalized recovery timeframe is made.

“Martinez will likely return in May,” said Lewkowicz. “We have to see what the doctor says, but I believe he will be back in May. At the moment, we don’t want to discuss any opponents, but once we confirm how long Martinez will be out, then we will explore the possibilities.”

In addition to right knee ligament tears, Martinez suffered several injuries in his unanimous decision win last Saturday over Julio Cesar Chavez Jr, including a broken left hand, eight stitches to close a left eye cut and two staples to close a head gash.

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This isn’t too surprising. In my post-fight analysis, I speculated a Martinez return at around 8-9 months. The question is whether he’ll be ready to jump right back in with elite competition. With Cinco de Mayo in May, that would at least put Martinez in consideration for a Canelo bout. However, Cotto likely has first dibs there, and the Puerto Rican star has never really fancied Martinez as an opponent going back to 2010. And there’s always the Chavez rematch, which isn’t warranted based on the outcome, but makes sense financially for both sides.

Nonetheless, take everything just stated with a grain of salt as the 154-160 pound could change drastically by next May.

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2009′s Relapse was another multi-platinum success for Eminem, but in retrospect the Detroit lyricist sees the album as an uneven project hampered by his drug addiction.

Eminem, who has enjoyed higher commercial numbers and critical praise with this year’s Recovery, revealed that his increased dependency on sleeping pills and other codeine-based products began to seriously affect his work during the Encore and Relapse sessions.

“There’s reflection of the drugs in the music. I can listen to songs now and hear how high I was,” Eminem told the NY Post. ”I can also hear the songs where I wasn’t high at all. But as the pills progressed and progressed, right around the Encore album, I think the drug use was obvious. They stifled me — they stopped my brain off. I don’t know if I was frying brain cells or what, but I couldn’t think. The drugs also made me lazy.”

On Relapse, Eminem believes the works lacks a “personal honesty” due to the abundance of over the top characters, voice accents, and the serial killer motif. Instead of opening up to fans about his struggles with addiction and the loss of his close friend Proof, Eminem used the Relapse personas to shield himself.

“I wasn’t disappointed when I put it out. When I felt that was later, when I was reassessing my work — trying to figure out why my songs didn’t sound like they used to sound,” he disclosed. “The further I got away from Relapse, I was able to hear the problems with all the accents I was using to slip in and out of characters, and how the serial killing didn’t work. The joke was over — I ran it into the ground.”

Eminem stops short of labeling Relapse a bad album. On its own merits, he views it as a solid work. But compared to Recovery, he sees a vastly inferior product.

“It was good because it was a necessary step for me to take or I wouldn’t have been able to make [Recovery], so I am grateful in that sense,” Eminem reflected. “Hey, don’t get me wrong, I don’t think Relapse was a terrible album. I just think the new material is so much better.”

Eminem is currently touring the United States with Jay-Z, playing two nights this past Monday and Tuesday at Yankees Stadium.

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Accents aside, I think Relapse and Recovery are on the same level but for different reasons. The latter has way sharper lyrical standout moments like “Seduction, “No Love,” and “Cold Wind Blows,” but some of Recovery’s production and choruses were too commercially slick for my taste (“You’re Never Over”). I enjoyed Relapse’s grittier, more ominous atmosphere.

But the fans have clearly made their preference known. Recovery is still #3 on Billboard’s Top 200 and is pushing over 2.5 million copies sold. On the other hand, Relapse topped out around 2 million. Whether that’s good or bad depends on your own preference.

So what say you? Did you want more “3 AM” type Eminem tracks, or more collaborations like “Love the Way You Lie?”

Welcome faithful readers. Today saw the release of a decent amount of music videos spanning the underground to superstar Eminem, who’s still dominating the charts a full month after the release of Recovery.

Eminem feat. Rihanna “Love the Way You Lie”

Silm Shady reached out to Hollywood and enlisted Megan Fox and Dominic Monaghan for his new video. The burning house is a nice effect. Overallm the visuals go well with the song. Now for the song itself, it’s already beginning to wear thin with me.

Moe Green “KIM”

Bay Area’s Moe Green has been getting a lot of love here at Beats, Boxing and Mayhem. The video is for the latest single off his FREE Rocky Maivia: Non-Title Match. On the black and white minimalist approach of the video, Green explained that his purpose was to show a small window into his everyday challenges.

“”The video and the song highlight the fact that I’m still working to reach new plateaus,” Green told Beats, Boxing and Mayhem. “I can’t stay in the same place. I’m always looking to make moves, and the video takes you through a day of that struggle.”

The video was directed by Myke Ward.

If you like the drop, download the full album HERE.

Roach Gigz Gives Oscar Grant Tribute

 

21 year old Roach Gigz has been building his name for several years out in San Franciso. A member of the duo Bitch I Go (B.I.G.) with Lil 4 Tay, he’s now on his own and working on his debut LP entitled Therapy Sessions.

“Pop Off” was shot in the days before and after the police trial for the “accidential” shooting death of Oscar Grant. With family roots in political protest (his father was an active supporter of the Sandinista Liberation Front), Gigz wanted his album to reflect the seething anger the people had for the police and the verdict.

“Nothing was really enjoyable because of how serious the situation was,” Gigz said about the video. “We were just trying to do it for Oscar Grant, the whole thing is dedicated to him and his memory. “I was just out here watching and living this; ‘Pop Off’ really captured that feeling of the young people who are tired of police consistently fucking with them, abusing their power and getting away with it.”

The track will be available on a mixtape called Roachy Balboa: Extra Rounds. The project is a re-release with five new tracks of his Roachy Balboa project which can be downloaded off http://roachgigz.com/

 

 Rhymefest “One Hand Push Up”

A few months back Rhymefest and I talked  for a few hours. And it resulted in one of my best interviews ever. He released his sophomore album El Che in June, and has been keeping his promise to drop a video for every track. ’Fest is one of a few emcees out there that’s not afraid to show his intelligence and challenge his audience.

 

 

The Source magazine has announced they will award their first perfect 5 mic rating since 2005.

The publication made the statement yesterday on their official website, disclosing that perfect rating is between seven recent albums: Drake’s Thank Me Later, Big Boi’s Sir Lucious Left Foot, The Roots’ How I Got Over, Eminem’s Recovery, Bun B’s Trill OG, Rick Ross’ Teflon Don and Fat Joe’s The Darkside Vol. 1. A poll is available on the site for readers to guess the magazine’s choice.

The last album to receive 5 mics was Lil Kim’s Naked Truth,and she remains the only female rapper to date to receive the accolade. The selection was highly controversial, as allegations spread that then Source co-owner and founder Dave Mays was involved in an intimate relationship with Kim’s manager.

The issue is set to hit newsstands this week.

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Showing my age again, but I remember sitting in the lunch room and discussing the merits of Aquemini’s 5 mic rating from 1998 with my fellow high school Hip-Hop fans. And a few years before that, I checked for Nas’ Illmatic on the strength of the Source’s glowing praise and 5 mic rating in 1994.

For many in the early and mid 90′s, the Source’s word was truly make or break when it came to purchasing an album. Not that I agreed with every rating, but for the most part their ratings were very concise, well-explained pieces. But the cracks started to show by the time I hit college in the early 2000s. The first eyebrow raiser for me was when Benzino’s Made Men got 4.5 mics for Classic Limited Edition. I listened to that album and knew the only way it could be rated that high was due to some serious politics, or as we find out Benzino’s financial stake on the company.

The brand still had respect though. No one really argued the 5 mic ratings for the Blueprint, Stillmatic or The Fix since all were great albums. But then came the totally unwarranted Benzino cover issue, and finally the nail in the coffin with the Eminem beef. Who remembers the Ja Rule ’03 cover issue that came with a pullout Benzino poster holding Eminem’s decapitated head? Even now with Benzino long gone, the brand is irreparably damaged.

It doesn’t help either that Lil Kim’s Naked Truth has a 5 mic rating. That should be retracted immediately, as it was a solid album and nothing more. All the albums listed this time around range from solid (Thank Me Later, The Darkside Vol. 1) to very good (Sir Lucious Leftfoot, How I Got Over). Personally I don’t have a classic amongst any of them, but the closet one I could see getting it would be the Roots’ LP. That album lyrically and production wise is very strong and distinctive.

We’ll see shortly who the Source goes with.

 

Rick Ross “B.M.F.” momentum wasn’t enough to overcome Eminem’s Recovery, as the Miami emcee’s Teflon Don debuted at #2 on Billboard’s Top 200.

Yesterday, Rick Ross appeared to have secured the #1 spot with a very small sales lead of 188,816 to 187,968 on Hits Daily Double. However, a final tally modified the list to give Eminem’s the #1 spot for the 5th consecutive week with 187,968 to Ross’ 176,000.

The debut ends Rick Ross’ steak of consecutive #1 albums at three for Port of Miami, Trilla, and Deeper Than Rap. His first week sales are an improvement on last year’s Deeper Than Rap, which debuted on the charts with 158,000 copies.

Rick Ross and Eminem are joined by Drake and Big Boi as the only rappers currently in Billboard’s Top 20.

Teflon Don has received mostly positive reviews from critics, holding a “universal acclaim” score of 82 by review compiling site Metacritic.

Beats, Boxing and Mayhem’s review of Teflon Don can be read HERE.